Seeing All Evil: The Global Cruelty of Digital Visibility

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Standard

Seeing All Evil : The Global Cruelty of Digital Visibility. / Austin, Jonathan Luke.

I: Global Studies Quarterly, Bind 2, Nr. 2, 04.02.2022.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Austin, JL 2022, 'Seeing All Evil: The Global Cruelty of Digital Visibility', Global Studies Quarterly, bind 2, nr. 2. https://doi.org/10.1093/isagsq/ksac001

APA

Austin, J. L. (2022). Seeing All Evil: The Global Cruelty of Digital Visibility. Global Studies Quarterly, 2(2). https://doi.org/10.1093/isagsq/ksac001

Vancouver

Austin JL. Seeing All Evil: The Global Cruelty of Digital Visibility. Global Studies Quarterly. 2022 feb. 4;2(2). https://doi.org/10.1093/isagsq/ksac001

Author

Austin, Jonathan Luke. / Seeing All Evil : The Global Cruelty of Digital Visibility. I: Global Studies Quarterly. 2022 ; Bind 2, Nr. 2.

Bibtex

@article{b768ff1155f04c05b823bcca0a6b9b01,
title = "Seeing All Evil: The Global Cruelty of Digital Visibility",
abstract = "Cruelty is a historical constant across world politics. Nonetheless, something has changed. Today, it is possible to observe death, massacre, torture, police brutality, terrorist attacks, drone strikes, and more, in high-definition video. Sometimes, we can watch live. In this article, I ask what it means when the historical sanitization of cruelty, injustice, and violence is stripped away. I do so in three ways. First, I explore how digital media has transformed how knowledge of violence is produced, circulates, and affects those who witness it. I focus in particular on how this visibility of cruelty affectively fractures our ontological security, undermines societal solidarity, and amplifies polarization. Second, I describe how this process is marked by substantive global inequalities vis-{\`a}-vis who is “protected” (or not) from exposure to graphic imagery. Third, I ground my discussion empirically through participant observation conducted with members of the militia group Hezbollah that focused on their emotional, affective, discursive, and political reactions to watching videos circulating on social media depicting members of their own group committing war crimes in Syria. The article concludes by dwelling on the worrying possible political futures these dynamics appear to be opening up.",
author = "Austin, {Jonathan Luke}",
year = "2022",
month = feb,
day = "4",
doi = "10.1093/isagsq/ksac001",
language = "English",
volume = "2",
journal = "Global Studies Quarterly",
issn = "2634-3797",
publisher = "Oxford University Press",
number = "2",

}

RIS

TY - JOUR

T1 - Seeing All Evil

T2 - The Global Cruelty of Digital Visibility

AU - Austin, Jonathan Luke

PY - 2022/2/4

Y1 - 2022/2/4

N2 - Cruelty is a historical constant across world politics. Nonetheless, something has changed. Today, it is possible to observe death, massacre, torture, police brutality, terrorist attacks, drone strikes, and more, in high-definition video. Sometimes, we can watch live. In this article, I ask what it means when the historical sanitization of cruelty, injustice, and violence is stripped away. I do so in three ways. First, I explore how digital media has transformed how knowledge of violence is produced, circulates, and affects those who witness it. I focus in particular on how this visibility of cruelty affectively fractures our ontological security, undermines societal solidarity, and amplifies polarization. Second, I describe how this process is marked by substantive global inequalities vis-à-vis who is “protected” (or not) from exposure to graphic imagery. Third, I ground my discussion empirically through participant observation conducted with members of the militia group Hezbollah that focused on their emotional, affective, discursive, and political reactions to watching videos circulating on social media depicting members of their own group committing war crimes in Syria. The article concludes by dwelling on the worrying possible political futures these dynamics appear to be opening up.

AB - Cruelty is a historical constant across world politics. Nonetheless, something has changed. Today, it is possible to observe death, massacre, torture, police brutality, terrorist attacks, drone strikes, and more, in high-definition video. Sometimes, we can watch live. In this article, I ask what it means when the historical sanitization of cruelty, injustice, and violence is stripped away. I do so in three ways. First, I explore how digital media has transformed how knowledge of violence is produced, circulates, and affects those who witness it. I focus in particular on how this visibility of cruelty affectively fractures our ontological security, undermines societal solidarity, and amplifies polarization. Second, I describe how this process is marked by substantive global inequalities vis-à-vis who is “protected” (or not) from exposure to graphic imagery. Third, I ground my discussion empirically through participant observation conducted with members of the militia group Hezbollah that focused on their emotional, affective, discursive, and political reactions to watching videos circulating on social media depicting members of their own group committing war crimes in Syria. The article concludes by dwelling on the worrying possible political futures these dynamics appear to be opening up.

UR - http://dx.doi.org/10.1093/isagsq/ksac001

U2 - 10.1093/isagsq/ksac001

DO - 10.1093/isagsq/ksac001

M3 - Journal article

VL - 2

JO - Global Studies Quarterly

JF - Global Studies Quarterly

SN - 2634-3797

IS - 2

ER -

ID: 312282499